| l | t | h | . | T | h | e | y | h | a | v | e | c | o | |||
| m | p | l | a | i | n | e | d | t | o | t | h | e | B | |||
| o | a | r | d | t | h | a | t | s | t | a | n | d | i | n | ||
| g | i | n | t | h | e | c | a | r | s | i | s | |||||
| i | n | j | u | r | i | o | u | s | t | o | t | h | e | |||
| h | e | a | l | t | h | o | f | w | o | m | e | n | a | |||
| n | d | p | e | r | s | o | n | s | i | n | d | e | l | |||
| i | c | a | t | e | h | e | a | l | t | h | . | W | h | e | ||
| n | t | h | e | s | u | m | m | e | r | c | a | m | e | |||
| o | n | a | n | d | t | h | e | c | r | o | w | d | ||||
| i | n | g | n | u | i | s | a | n | c | e | w | a | s | |||
| n | o | t | a | b | a | t | e | d | , | b | u | t | t | |||
| h | e | d | i | s | c | o | m | f | o | r | t | s | w | e | ||
| r | e | c | o | n | s | i | d | e | r | a | b | l | y | i | ||
| n | c | r | e | a | s | e | d | b | y | t | h | e | n | |||
| e | g | l | e | c | t | o | f | t | h | e | c | o | m | |||
| p | a | n | i | e | s | t | o | p | r | o | v | i | d | e |
Shakespeare, the Orient, and the Critics.. Peter Lang ed. New York, 2010.
Literary Orientalism, Postcolonialism, and Universalism.. Eds. Maria C. Zamora. Peter Lang ed. Vol. Vol. 9. Postcolonial Studies. , Vol. 9. New York, 2010. Abstract