| d | p | o | s | s | i | b | l | y | b | e | w | o | r | |||
| s | e | . | I | t | i | s | u | n | i | m | a | g | i | |||
| n | a | t | i | v | e | , | f | l | a | t | , | d | r | y | ||
| a | n | d | l | i | k | e | l | y | t | o | c | o | ||||
| n | s | i | s | t | o | f | m | e | r | e | w | i | n | |||
| d | . | B | u | t | i | n | t | h | i | s | i | n | ||||
| s | t | a | n | c | e | i | t | i | s | a | l | l | o | |||
| w | a | b | l | e | . | F | o | r | t | h | e | f | o | |||
| l | l | o | w | i | n | g | p | a | r | a | g | r | a | p | h | |
| , | w | h | i | c | h | s | h | o | u | l | d | h | a | |||
| v | e | i | n | a | u | g | u | r | a | t | e | d | t | h | ||
| e | n | a | r | r | a | t | i | v | e | , | i | s | t | |||
| o | o | w | i | l | d | l | y | e | x | t | r | a | v | a | ||
| g | a | n | t | a | n | d | p | r | e | p | o | s | t | e | ||
| r | o | u | s | t | o | b | e | f | l | a | u | n | t | |||
| e | d | i | n | t | h | e | f | a | c | e | o | f | ||||
| t | h | e | r | e | a | d | e | r | w | i | t | h | o |
Forms and Functions of the Belgian Historical Novel in the First Two Decades after Belgian Independence." History and its Literary Genres. Eds. Gašper Troha, Vanesa Matajc, and Gregor Pompe. Newcastle: Cambridge Scholars Publishing, 2008. 115-127. Abstract
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