| a | v | e | y | o | u | p | a | i | d | t | h | e | ||||
| m | o | n | e | y | - | - | i | t | i | s | s | h | a | m | ||
| e | f | u | l | ! | Y | o | u | o | w | e | e | i | g | |||
| h | t | y | t | h | o | u | s | a | n | d | f | r | a | n | ||
| c | s | t | o | o | n | e | o | f | m | y | f | |||||
| o | o | t | m | e | n | . | Y | o | u | c | a | u | s | e | ||
| d | t | h | e | v | i | s | c | o | u | n | t | t | o | |||
| b | e | s | h | o | t | a | t | M | o | r | t | a | ||||
| g | n | e | i | n | o | r | d | e | r | t | h | a | t | |||
| y | o | u | m | i | g | h | t | a | p | p | r | o | p | |||
| r | i | a | t | e | t | h | e | p | r | o | p | e | r | t | ||
| y | e | n | t | r | u | s | t | e | d | t | o | y | o | |||
| u | b | y | t | h | e | f | a | m | i | l | y | . | ||||
| I | f | t | h | e | D | u | c | d | e | M | o | n | ||||
| t | s | o | r | e | l | , | w | h | o | s | e | n | t | |||
| y | o | u | h | e | r | e | , | k | n | e | w | w | h | |||
| o | y | o | u | a | r | e | , | h | a | ! | h | a |
Contains the keyword sublime
Pronouncing it the Porder: The Ascription of Aesthetic Values to External and Internal National Borders in Frank A. Jenssen, The Salt Bin." Crossing Borders, Dissolving Boundaries. Ed. Hein Viljoen. Amsterdam: Rodopi, 2013. 181-198.
"Pripoved in dogodek. Razmišljanje o literarnem zgodovinopisju." Primerjalna književnost. 32.2 (2009): 23-39. Abstract